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Început de J0', Joi 11 mai 2006 · 19.595 răspunsuri · 958.396 vizualizări

Ea.41.254 mesaje#19521

Love Poem

I want to write you

a love poem as headlong

as our creek

after thaw

when we stand

on its dangerous

banks and watch it carry

with it every twig

every dry leaf and branch

in its path

every scruple

when we see it

so swollen

with runoff

that even as we watch

we must grab

each other

and step back

we must grab each

other or

get our shoes

soaked we must

grab each other

Linda Pastan

Ea.41.254 mesaje#19523

Touch

My hands

open the curtains of your being

clothe you in a further nudity

uncover the bodies of your body

My hands

invent another body for your body

Octavio Paz

Ea.41.254 mesaje#19524

William Blake - Auguries of Innocence

To see a world in a grain of sand,

And a heaven in a wild flower,

Hold infinity in the palm of your hand,

And eternity in an hour.

A robin redbreast in a cage

Puts all heaven in a rage.

A dove-house fill'd with doves and pigeons

Shudders hell thro' all its regions.

A dog starv'd at his master's gate

Predicts the ruin of the state.

A horse misused upon the road

Calls to heaven for human blood.

Each outcry of the hunted hare

A fibre from the brain does tear.

A skylark wounded in the wing,

A cherubim does cease to sing.

The game-cock clipt and arm'd for fight

Does the rising sun affright.

Every wolf's and lion's howl

Raises from hell a human soul.

The wild deer, wand'ring here and there,

Keeps the human soul from care.

The lamb misus'd breeds public strife,

And yet forgives the butcher's knife.

The bat that flits at close of eve

Has left the brain that won't believe.

The owl that calls upon the night

Speaks the unbeliever's fright.

He who shall hurt the little wren

Shall never be belov'd by men.

He who the ox to wrath has mov'd

Shall never be by woman lov'd.

The wanton boy that kills the fly

Shall feel the spider's enmity.

He who torments the chafer's sprite

Weaves a bower in endless night.

The caterpillar on the leaf

Repeats to thee thy mother's grief.

Kill not the moth nor butterfly,

For the last judgement draweth nigh.

He who shall train the horse to war

Shall never pass the polar bar.

The beggar's dog and widow's cat,

Feed them and thou wilt grow fat.

The gnat that sings his summer's song

Poison gets from slander's tongue.

The poison of the snake and newt

Is the sweat of envy's foot.

The poison of the honey bee

Is the artist's jealousy.

The prince's robes and beggar's rags

Are toadstools on the miser's bags.

A truth that's told with bad intent

Beats all the lies you can invent.

It is right it should be so;

Man was made for joy and woe;

And when this we rightly know,

Thro' the world we safely go.

Joy and woe are woven fine,

A clothing for the soul divine.

Under every grief and pine

Runs a joy with silken twine.

The babe is more than swaddling bands;

Every farmer understands.

Every tear from every eye

Becomes a babe in eternity;

This is caught by females bright,

And return'd to its own delight.

The bleat, the bark, bellow, and roar,

Are waves that beat on heaven's shore.

The babe that weeps the rod beneath

Writes revenge in realms of death.

The beggar's rags, fluttering in air,

Does to rags the heavens tear.

The soldier, arm'd with sword and gun,

Palsied strikes the summer's sun.

The poor man's farthing is worth more

Than all the gold on Afric's shore.

One mite wrung from the lab'rer's hands

Shall buy and sell the miser's lands;

Or, if protected from on high,

Does that whole nation sell and buy.

He who mocks the infant's faith

Shall be mock'd in age and death.

He who shall teach the child to doubt

The rotting grave shall ne'er get out.

He who respects the infant's faith

Triumphs over hell and death.

The child's toys and the old man's reasons

Are the fruits of the two seasons.

The questioner, who sits so sly,

Shall never know how to reply.

He who replies to words of doubt

Doth put the light of knowledge out.

The strongest poison ever known

Came from Caesar's laurel crown.

Nought can deform the human race

Like to the armour's iron brace.

When gold and gems adorn the plow,

To peaceful arts shall envy bow.

A riddle, or the cricket's cry,

Is to doubt a fit reply.

The emmet's inch and eagle's mile

Make lame philosophy to smile.

He who doubts from what he sees

Will ne'er believe, do what you please.

If the sun and moon should doubt,

They'd immediately go out.

To be in a passion you good may do,

But no good if a passion is in you.

The whore and gambler, by the state

Licensed, build that nation's fate.

The harlot's cry from street to street

Shall weave old England's winding-sheet.

The winner's shout, the loser's curse,

Dance before dead England's hearse.

Every night and every morn

Some to misery are born,

Every morn and every night

Some are born to sweet delight.

Some are born to sweet delight,

Some are born to endless night.

We are led to believe a lie

When we see not thro' the eye,

Which was born in a night to perish in a night,

When the soul slept in beams of light.

God appears, and God is light,

To those poor souls who dwell in night;

But does a human form display

To those who dwell in realms of day.

Ea.41.254 mesaje#19525

http://www.sfchronicle.com/music/article/Tom-Waits-on-Anton-Corbijn-s-portraits-4563527.php?t=d18903ba37

The thing is, is it more interesting not to know the origin of things or interesting to know? I think we know too much about stuff these days. We're in a deficit of wonder now because we're buried between huge piles of information. I think things were better when we knew little. In the old days you just had the album cover to look at and you had to guess what it was about. For the picture, bring a tuba, a pitchfork and don't shave. What does that mean? You decide. I don't care. You were challenged to use your imagination about what that is. I think it's just better to either be lied to or know nothing. I have a reality distortion box, and everything comes out of there.

Ea.41.254 mesaje#19527

Hamlet: Swear by my sword, Never to speak of this that you have heard.

Ghost: [beneath] Swear by his sword.

Hamlet: Well said, old mole, canst work i' th' earth so fast? A worthy pioner! Once more remove, good friends.

Horatio: O day and night, but this is wondrous strange!

Hamlet: And therefore as a stranger give it welcome. There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy.

-- from "Hamlet" Act 1, scene 5, 159

Ea.41.254 mesaje#19528

http://www.poetryfoundation.org/harriet/2013/06/the-griffin-poetry-prize-winners-are-in/

Judge Wang Ping writes:

What does poetry do? Nothing and everything, like air, water, soil, like birds, fish, trees, like love, spirit, our daily words … It lives with us, in and outside us, everywhere, all the time, and yet, we are too often oblivious of this gift. It’s a poet’s job to bring this gift out and back, this gift that makes us human again. And Mr. Zaqtan has done it. His poetry awakens the spirits buried deep in the garden, in our hearts, in the past, present and future. His singing reminds us why we live and how, in the midst of war, despair, global changes. His words turn dark into light, hatred into love, death into life. His magic leads us to the clearing where hope becomes possible, where healing begins across individuals, countries, races … and we are one with air, water, soil, birds, fish, trees … our daily words pregnant with beauty, and we begin to sing again till ‘ … the singer / and the song / are alike (Biography in Charcoal)’. This is Mr. Zaqtan’s only ‘profession’. It’s now also ours. About the translation: as a translator of poetry myself, I know the danger, frustration and the joy in the process of catching the fire from the original and delivering it through/into another language, another culture, another sentiment. Mr. Joudah delivered with such grace and power. My salute to Mr. Joudah, as translator to translator, as poet to poet, as doctor to doctor.
Ea.41.254 mesaje#19529

Cityscape

I have a word for it —
the way the surface waited all day
to be a silvery pause between sky and city —
which is elver.

And another one for how
the bay shelved cirrus clouds
piled up at the edge of the Irish Sea,
which is elver too.

The old Blackrock baths
have been neglected now for fifty years,
fine cracks in the tiles
visible as they never were when

I can I can I can
shouted Harry Vernon as
he dived from the highest board
curving down into salt and urine

his cry fading out
through the half century it took
to hear as a child that a glass eel
had been seen

entering the seawater baths at twilight —
also known as elver —
and immediately
the word begins

a delicate migration —
a fine crazing healing in the tiles —
the sky deepening above a city
that has always been

unsettled between sluice gates and the Irish Sea
to which there now comes at dusk
a translucent visitor
yearning for the estuary.

~ Eavan Boland

Ea.41.254 mesaje#19530

Failing and Flying

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.

Jack Gilbert

Editat Dum 21 iul 2013 03:55

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